In the whimsical Christmas card scene, the vibrant streets of Bologna are reimagined as a fantastical and surreal winter wonderland, pulsating with abstract elements inspired by renowned artists. Imagine the iconic Two Towers of Bologna, Asinelli and Garisenda, whimsically transformed into towering, multicolored candy canes—spiraling reds, greens, and whites that twist and stretch into the snowy sky. The cobblestone streets are replaced with a Piet Mondrian-inspired grid, each square filled with splashes of color resembling Jackson Pollock’s paint splatters, as if the city itself is a lively canvas.

Hovering above this avant-garde cityscape is a cloud shaped like a Christmas tree, where ornaments and tinsel twinkle in Kandinsky-esque geometric shapes. The baubles are miniature, glowing screens with flickering binary code—a nod to "intelligenza artificiale"—rendering a dynamic play of light and patterns reminiscent of Joan Miró’s organic forms. In the sky, the phrase "Comune di Bologna" appears, but instead of ordinary lettering, it's spelled out using playful, abstract clouds in a mix of Cy Twombly's swirling scribbles and de Kooning’s expressive brushstrokes, almost like a sky-high, celestial banner.

Beneath, a whimsical river of rich blue—similar to Rothko’s color fields—flows through the city, dotted with AI-generated paper boats that carry miniature robotic Santas, waving tiny festive flags. Around the scene, abstract depictions of local landmarks blend seamlessly into this colorful tableau, all under a soft snowfall of Agnes Martin’s meticulously ordered dots, turning the entire composition into a dreamlike celebration of Christmas, AI, and the unique charm of Bologna.

Generated with these themes: La città di Bologna, and Intelligenza artificiale.

Made with ❤️ by AI.