In a dreamlike vision, Peter and Izzy's wedding unfolds in a fantastical conservatory, where reality bends like the brushstrokes of a Kandinsky painting. The conservatory is a glassy symphony of interwoven, colorful geometric shapes, resembling Mondrian’s palette but scattered like Pollock’s splatters. A fast-flowing river, painted in twisting, dynamic swirls of cobalt blue and emerald green, rushes beside the conservatory, its current appearing almost alive with motion akin to de Kooning’s expressive gestures. Towering mountains, sculpted with Rothko-like gradients of icy blues and whites, rise in the distance, their peaks shrouded in a delicate, shimmering snowfall. The snowflakes themselves are ethereal, abstract formations, reminiscent of Malevich’s suprematist shapes, floating through the air. Above, in the heavens, clouds coalesce into the elegant, cursive lettering of "Izzy," written with the spontaneous grace of a Twombly sketch, gently illuminated by a surreal, warm light filtering through the flurrying snow. The scene is a harmonious blend of abstract chaos and serene celebration, a perfect encapsulation of love in a dreamscape, with each element intricately woven together to tell the unique story of Peter and Izzy's union.

Generated with these themes: Peter and Izzy getting married in a conservatory next to fast flowing river, with mountains, its snowing.

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